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Arguably my favorite movie of all time with a close second being The Green Mile. It is a strange comment to make about a film set inside a prison, but "The Shawshank Redemption" creates a warm hold on our feelings because it makes us a member of a family. Many movies offer us vicarious experiences and quick, superficial emotions. "Shawshank" slows down and looks. It uses the narrator"s calm, observant voice to include us in the story of men who have formed a community behind bars. It is deeper than most films; about continuity in a lifetime, based on friendship and hope. Interesting that although the hero of the film is the convicted former banker Andy Dufresne ( Tim Robbins), the action is never seen from his point of view. The film"s opening scene shows him being given two life sentences for the murder of his wife and her lover, and then we move, permanently, to a point of view representing the prison population and particularly the lifer Ellis "Red" Redding ( Morgan Freeman). 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But we wonder about this guy. Did he really kill those two people? Why does he keep so much to himself? Why can he amble through the prison yard like a free man on a stroll, when everyone else plods or sidles? People like excitement at the movies, and titles that provide it do well. Films about "redemption" are approached with great wariness; a lot of people are not thrilled by the prospect of a great film - it sounds like work. But there"s a hunger for messages of hope, and when a film offers one, it"s likely to have staying power even if it doesn"t grab an immediate audience. "The Shawshank Redemption" premiered at the Toronto Film Festival in September 1994, and opened a few weeks later. It got good reviews but did poor business (its $18 million original gross didn"t cover costs; it took in only another $10 million after winning seven Oscar nominations, including best picture). There wasn"t much going for it: It had a terrible title, it was a "prison drama" and women don"t like those, it contained almost no action, it starred actors who were respected but not big stars, and it was long at 142 minutes. Clearly this was a movie that needed word-of-mouth to find an audience, and indeed business was slowly but steadily growing when it was yanked from theaters. If it had been left to find its way, it might have continued to build and run for months, but that"s not what happened. Instead, in one of the most remarkable stories in home video history, it found its real mass audience on tapes and discs, and through TV screenings. Within five years, "Shawshank" was a phenomenon, a video best seller and renter that its admirers feel they"ve discovered for themselves. When the Wall Street Journal ran an article about the "Shawshank" groundswell in April 1999, it was occupying first place in the Internet Movie Database worldwide vote of the 250 best films; it"s usually in the top five. Polls and rentals reflect popularity but don"t explain why people value "Shawshank" so fervently. Maybe it plays more like a spiritual experience than a movie. It does have entertaining payoff moments (as when the guards from another prison, wearing their baseball uniforms, line up to have Andy do their taxes). But much of the movie involves quiet, solitude, and philosophical discussions about life. The moments of violence (as when Andy is sexually assaulted) are seen objectively, not exploited. The movie avoids lingering on Andy"s suffering; after beatings, he"s seen in medium and long shot, tactfully. The camera doesn"t focus on Andy"s wounds or bruises, but, like his fellow prisoners, gives him his space. The Morgan Freeman character is carrier of the film"s spiritual arc. We see him at three parole hearings, after 20, 30 and 40 years. The first hearing involves storytelling trickery; the film has opened with Andy"s sentencing, and then we see a parole board, and expect it"s about to listen to Andy"s appeal. But, no, that"s when we first see Red. In his first appeal he tries to convince the board he"s been rehabilitated. In the second, he just goes through the motions. In the third, he rejects the whole notion of rehabilitation, and somehow in doing so he sets his spirit free, and the board releases him. There"s an underlying problem. Behind bars, Red is king. He"s the prison fixer, able to get you a pack of cigarettes, a little rock pick or a Rita Hayworth poster. On the outside, he has no status or identity. We"ve already seen what happened to the old librarian ( James Whitmore), lonely and adrift in freedom. The last act, in which Andy helps Red accept his freedom, is deeply moving - all the more so because Andy again operates at a distance, with letters and postcards, and is seen through Red"s mind. Frank Darabont wrote and directed the film, basing it on a story by Stephen King. His film grants itself a leisure that most films are afraid to risk. The movie is as deliberate, considered and thoughtful as Freeman"s narration. There"s a feeling in Hollywood that audiences have short attention spans and must be assaulted with fresh novelties. I think such movies are slower to sit through than a film like "Shawshank, " which absorbs us and takes away the awareness that we are watching a film. Deliberate, too, is the dialogue. Tim Robbins makes Andy a man of few words, quietly spoken. He doesn"t get real worked up. He is his own man, capable of keeping his head down for years and then indulging in a grand gesture, as when he plays an aria from Mozart"s "The Marriage of Figaro. " (The overhead shot of the prisoners in the yard, spellbound by the music, is one of the film"s epiphanies. ) Because he does not volunteer himself, reach out to us or overplay his feelings, he becomes more fascinating: It is often better to wonder what a character is thinking than to know. Roger Deakins" cinematography is tactful, not showy. Two opening shots, one from a helicopter, one of prison walls looming overhead, establish the prison. Shots follow the dialogue instead of anticipating it. Thomas Newman"s music enhances rather than informs, and there is a subtle touch in the way deep bass rumblings during the early murder are reprised when a young prisoner recalls another man"s description of the crime. Darabont constructs the film to observe the story, not to punch it up or upstage it. Upstaging, in fact, is unknown in this film; the actors are content to stay within their roles, the story moves in an orderly way, and the film itself reflects the slow passage of the decades. "When they put you in that cell, " Red says, "when those bars slam home, that"s when you know it"s for real. Old life blown away in the blink of an eye. Nothing left but all the time in the world to think about it. " Watching the film again, I admired it even more than the first time I saw it. Affection for good films often grows with familiarity, as it does with music. Some have said life is a prison, we are Red, Andy is our redeemer. All good art is about something deeper than it admits. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Shawshank Redemption (1994) Rated R 142 minutes about 1 hour ago 1 day ago.

How and why Morgan Freeman has not won a Oscar still shocks me. One of the best actors ever. The scene where that guy is beaten is horrifying. Notice how everyone went silent. I want my mamma!I had your mamma. She wasn"t that great. HAHAHAHA. The shawshank redemption pdf. The shawshank redemption bangla review. 2:46 - 3:12 Uh, your majesty, I MAY have gotten Rapunzel pregnant... Thank you, Stephen King, we"ll see you in court. The Ohio State Reformatory and the Bissman Bldg. both in Mansfield, OH are both haunted. You can do tours there and they put on a fantastic halloween event at the Reformatory. The Shawshank redemptions. The shawshank redemption bogs.

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Definitely one of the best movies ever. The acting was out of this world. There is nobody who hates the shawshank redemption. that can only be said about very few films. You are only truely free when you learn to stop giving f*ck. Omg this was my movie aa a kid. Wish i would have bought the extended edtions instead. Why he chose Enchilida night, I"ll never know God god man. Top Rated Movies #1 | Nominated for 7 Oscars. Another 21 wins & 35 nominations. See more awards » Learn more More Like This Crime Drama 1 2 3 4 5 6 8 9 10 9. 2 / 10 X The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. Director: Francis Ford Coppola Stars: Marlon Brando, Al Pacino, James Caan Romance 8. 8 / 10 The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart. 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Morgan Freeman, Kevin Spacey Biography History In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis. Steven Spielberg Liam Neeson, Ralph Fiennes, Ben Kingsley Fantasy The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift. Frank Darabont Michael Clarke Duncan, David Morse Edit Storyline Chronicles the experiences of a formerly successful banker as a prisoner in the gloomy jailhouse of Shawshank after being found guilty of a crime he did not commit. The film portrays the man"s unique way of dealing with his new, torturous life; along the way he befriends a number of fellow prisoners, most notably a wise long-term inmate named Red. Written by J-S-Golden Plot Summary Plot Synopsis Taglines: Fear can hold you prisoner. Hope can set you free. Did You Know? Trivia If Andy had been incarcerated in just one cell to the left he would have had nowhere to tunnel to except the next cell, and thus would have had no amazing story to tell. See more » Goofs When Red is talking to Andy for the first time, he is throwing a baseball between himself and Heywood. Just as Andy stoops down, Red catches the ball and seconds later, catches the ball again without throwing it back. See more » Quotes [ first lines] District Attorney: Mr. Dufresne, describe the confrontation you had with your wife the night that she was murdered. Andy Dufresne: It was very bitter. She said she was glad I knew, that she hated all the sneaking around. And she said that she wanted a divorce in Reno. See more » Crazy Credits The man who cried and was beaten when Andy first arrived is listed and credited as "Fat Ass" -- the other inmates" nickname for him. See more » Alternate Versions Italian version is about 15 minutes shorter than the USA version and omits parts of the epilogue showing Red"s everyday life after he has been released from prison. See more » Connections Referenced in The Flash: Crazy for You (2015) Soundtracks Put The Blame On Mame by Allan Roberts and Doris Fisher Heard on "Gilda" soundtrack See more » Frequently Asked Questions See more » Details Release Date: 14 October 1994 (USA) Also Known As: Rita Hayworth and Shawshank Redemption Box Office Budget: $25, 000, 000 (estimated) Opening Weekend USA: $727, 327, 25 September 1994 Cumulative Worldwide Gross: $28, 786, 657 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

Critics Consensus The Shawshank Redemption is an uplifting, deeply satisfying prison drama with sensitive direction and fine performances. 90% TOMATOMETER Total Count: 72 98% Audience Score User Ratings: 886, 058 The Shawshank Redemption Ratings & Reviews Explanation The Shawshank Redemption Photos Movie Info In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He"s sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis "Red" Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton"s illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont. ~ Mark Deming, Rovi Rating: R Genre: Drama Directed By: Written By: In Theaters: Sep 10, 1994 wide On Disc/Streaming: Jan 27, 1998 Runtime: 142 minutes Studio: Columbia Pictures Cast News & Interviews for The Shawshank Redemption Critic Reviews for The Shawshank Redemption Audience Reviews for The Shawshank Redemption The Shawshank Redemption Quotes Movie & TV guides.

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Everyone is really great here. For me the highlight was Robbie. Although everyone from Lithgow and Duplass to Kidman and Theron. Everyone was great here.
Regardless of how true Bombshell is and how much it is Hollywood doesn"t really matter cause it does tell the story and themes rather well for the type of it is. But it does not do a great job at making you feel shocked that this happened even though it is. The writing and style of direction was fine and I didn"t have that much of an issue with that
It"s a good film told rather well. It"s definitely worth watching, no matter the accuracy or it being bias. I just wished it delivered the hard hitting message, people needed.

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The illusion of a series of images produces continuous motion in the form of video. The film is often referred to as a movie or moving picture. Film is a modern and popular art form created for business and entertainment purposes. Film making has now become a popular industry throughout the world, where feature films are always awaited by cinemas. Films are made in two main ways. The first is through shooting and recording techniques through film cameras. This method is done by photographing images or objects. The second uses traditional animation techniques. This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time. It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others. 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The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ??? TV MOVIE ??? The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ??? Formats and Genres ??? See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). 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If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

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"Bombshell"
or
"We missed the plot somewhere along the way"
Political statements in film can be very powerful, and if they are done right in film, they can carry a lot of weight. "Bombshell" features an excellent cast, great acting, a true story, and a plot that gets lost in sensationalism, kinda like the Charlize Theron as Megyn Kelly to Margot Robbie as Kayla Popisil, and Nicole Kidman as Gretchen Carlson as well as John Lithgow as Roger Ailes, the performances do not miss a beat. Ailes (Lithgow) is creepy with his demeanor and charisma, and that"s more of what this film should have focused on. The weakness of the film was in the greed of both the Kelly (Theron) and Carlson (Kidman) characters. The acting, again, was top notch, as they played the greedy victim to a tee. Theron and Kidman should have been written more like Popisil (Robbie) the character we actually felt sorry for, and a lot more scenes that included flashbacks of the goings-on in Ailes" office should have been utilized. Roger Ailes was a disgusting human being who was both exposed for and paid for everything he did before passing on, but the film should have focused more on his acts of quid pro quo and perversion to get the point across. If we could be more sympathetic towards the Kidman and Theron roles, this film would have certainly been somewhere in my top 10, and perhaps Best Picture.
7/10.

Opg c3 b8rets time performance. Opg c3 b8rets time form. Opg c3 b8rets time business. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on March 2, 2020 Verified Purchase I expected this movie to be an expose on Roger Ailes, and it was to a degree. But the movie went on to make all of the men at Fox News look completely exploitive of women, and/or mindless minions of the organization. It portrayed Megan Kelly as the only smart, legitimate journalist at Fox. One who everyone held in high esteem, with her entourage following her through the halls of Fox. And all the men lusting over her. And I mean ALL of the men. The movie also implied that avid viewers of Fox are witless followers of the "cult" that Ailes created, and conservatives are gullible and feebleminded. I was personally offended, and shut it off after about 30 minutes. Reviewed in the United States on December 23, 2019 Theater review. Possible spoilers. Director Jay Roach might not seem like the director for an expose like this given his resume (Austin Powers movies, Meet the Fockers, Dinner for Schmucks) but he pulls it off. Some of the credit would seem to go to writer Charles Randolph who was responsible for “The Big Short. ” This film has much of that style. That is narration, superimposed facts, etc. The film is focused on Roger Ailes (excellent John Lithgow in a fat suit and heavy facial makeup) who single handedly put Fox News on the television map. His marketing acumen may have been successful but he also left a bevy of female staffers humiliated at best and sexually assaulted at worst. There are 3 women at the center of the story. Gretchen Carlson (Nicole Kidman) is the first to bring Ailes’ misdeeds to light. She had gone from a rising star on the Fox morning show to a less visable host in a late afternoon time slot. Why? She had shunned Ailes’ sexual advances. She leaves the network fairly early in the movie and sues Ailes personally. In an award-worthy performance, Charlize Theron plays Megyn Kelly who remains at the network but is under scrutiny because of the 2016 presidential debate where she asks candidate Donald Trump about his treatment of women in the past. Ailes and indeed Fox were backers of Trump and were stunned by the question. Kelly suffered the consequences for a long time and later acknowledged Alies had come on to her earlier in her career. The third woman is Kayla Pospisil (Margo Robbie). Kayla is an amalgam of actual women at Fox over the years. She’s highly supportive of the network and Ailes from the beginning. She is also hungry for advancement and manages to get Ailes’ attention. In a scene that had most of the audience squirming in their seats, Ailes auditions Kayla by modeling in front of him. He urges her to keep hiking up her skirt in order to see her legs – “It’s a visual medium he suggests. ” All the women are great. Theron in particular captures not only the look of Kelly but the slightly arrogant and aloof physical persona. It’s an amazing transformation. If “Bombshell” can be criticized it would be because the film doesn’t go very deep into the workings of Fox. We get a surface view as the attention is on Ailes, less so on the network or his boss, Rupert Murdoch (Malcolm McDowell). In small but interesting roles, Kate McKinnon shows up as a closeted lesbian producer and confidant of Kayla’s. Connie Britton plays Ailes wife Beth, a supporter of her husband until a startling scene in the final act. Mark Duplass plays Kelly’s husband Doug Brunt and Allison Janney is Susan Estrich, Ailes lawyer. In spite of the content, this is a fast moving, highly entertaining and important film. Highly recommended. Reviewed in the United States on February 29, 2020 Verified Purchase Found the movie captivating, and no one else is telling this story. I"m a conservative and a female and thinks this story needs to be told. This is not an anti-conservatives movie. It"s an anti-sleaze bag movie. Reviewed in the United States on March 8, 2020 Verified Purchase This movie was ok, but definitely not too interesting, in fact quite boring. This seemed more like a movie to get at Trump and conservatives than a movie about sexual harassment. The part about the FOX desk worker who is "secretly" a "lesbian" was just to much to swallow, and with lots of virtue signalling throughout. Reviewed in the United States on March 2, 2020 Verified Purchase I"m glad that the subject of sexual harassment is being put out there in all its complexity. I don"t think they really needed to throw in the lesbian stuff. If they felt it was necessary why didn"t they do a better job of it? Seriously, a closet lesbian at Fox News ends up in bed with an ambitious, devout conservative? Anyone that can"t see through that unbelievable scenario is more than willing to believe that all sexually harassed women are mentally ill. That is all that scenario created for the Me Too movement. Reviewed in the United States on February 28, 2020 Verified Purchase Slow, I say SLOW..... not worth the $15. 00 I spent Reviewed in the United States on March 7, 2020 Verified Purchase I can"t believe I even started to watch this. Its against TRUMP..... wow. The trailer for this didn"t even mention it. I want my money back Reviewed in the United States on February 27, 2020 Verified Purchase I loved Nicole, Charlize and maggots performance, all did spectacular work. the makeup deptmt earned every bit of the golden Oscar, Charlize was turned into Megan Kelly"s doppleganger. and to see Margot Robbie vulnerable was truly heart breaking, def a tear jerking scene or two came from her performance. all the women killed it, nailed it... cant forget the amazing job that roger ailes put in, perfection. A+ work in entertainment.

 



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Directors David Leitch; 7,1 / 10 Stars; Lawman Luke Hobbs (Dwayne "The Rock" Johnson) and outcast Deckard Shaw (Jason Statham) form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity; Genres Action; Audience score 147497 votes; country USA, Japan

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